Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.
Showing posts with label Iain Reid. Show all posts
Showing posts with label Iain Reid. Show all posts

Wednesday, 18 May 2022

"I'm thinking of ending things" by Iain Reid

An audio book.

The narrator, who's been going out with Jake for 7 weeks, is being driven to his parents' farmhouse. She thinks he's very clever and likes it when he's nerdy. There are interjected flash-forwards of people discussing a local atrocity committed by a male. She's been receiving calls from an old male who always says the same thing, about there being only 1 question. She sees the same phrase on graffiti. There are slightly odd, David Lynchian, details.

At the farm she sees an old picture of herself as a little girl. There are strange, grotesque paintings in the cellar. There are no photos of Jake though there are many arty close-ups of body parts. She hears the parents disagreeing. They are surprised when she tells them Jake has a job. They thank her for all she's done. They think she's been with Jake for a while.

It's below zero. On the way home he tells her he has a brother who imitated him. They end up a big, deserted school late in the night. Jake disappears. She goes into the school. The car disappears. She's locked in. She thinks she sees a janitor wearing rubber gloves. She wanders from room to room, distracting herself by speculating about life. She finds clothes she wore as a child. She finds Jake's clothes.

Then things go strange. I becomes we. The narrative becomes Beckettian. We've been wandering through the school for years. The atrocity was committed by a janitor. What gives life meaning? What gives it shape and depth? Can a life have meaning if you're alone? "We're all here together now, always me only me"

Other reviews

  • Kirkus reviews
  • Janette Wolf
  • fictionphile
  • Hannah Pittard (Reid ... supplements his first-person road-trip narrative with short, italicized, unattributed bits of dialogue in which a mysterious crime is being discussed: ... The suspense of Reid’s novel depends heavily on this interspersed dialogue ... While this bait-and-switch tactic is by no means a flaw — the early instances are especially effective in encouraging the reader to continue — by the novel’s end they come to feel more gimmicky than earned.)