Reviews of Flash collections

Single-author collections

B

• "Dancing alone and other lessons" by Digby Beaumont (2020) [In "letting go" (my favourite section) I liked "Who Knew More Than Karen Carpenter About a Broken Heart?" In general, starts are much better than endings.]
• "Kiss kiss" by Paul Beckman (Truth Serum Press, 2019) [It begins well, with "With a Wink and a Nod", a story that a few reviewers single out. It feels more like a collected than a carefully selected set of pieces]

C

• "Now you see him" by Tim Craig (AdHoc fiction, 2022) [That so many categories are required attests to the variety and interest. My favourites include "Cat Barbecue", "Northern Lights", "Now You See Him", "Heir", "Peacocks", "That's All There Is, There Ain't No More"]

D

• "Spaghetti Fiction" by Phil Doran (garlic press, 2007) [I least like the longest pieces. "The Legions of Burnt Toast" and "Passive Addictive" (about being addicted to passive smoking) are fun ideas.]
• "You're Not Supposed to Cry" by Gary Duncan (Vagabond Voices, 2017) [I was impressed by the consistent quality. There's humour, disappointment, and human interest. No bravura passages, no knockouts, just good person-centred writing]

G

• "Aromabingo" by David Gaffney (Salt, 2007) [Nothing ostentaciously literary. Even when stories didn't work for me, there were interesting details and twists. Later in the book, some stories are over 10 pages long. I think these stories are more consistently good than the earlier ones.]
• "The Half-Life of Songs" by David Gaffney (Salt, 2010) [There were only a few repeated themes - art museums and pursed lips, love interest thrown in to add human interest.]
• "Nothing to worry about" by Vanessa Gebbie (Flash: The International Short-Short Story Press, 2018) [My favourites are "Birds are like that", "Wei-Ch'i", "Navigation", "Reeds", "Three stages in learning to fly" and "Shibuya Intersection".]
• "A short history of synchronised breathing" by Vanessa Gebbie (Cultured Llama Publishing, 2017) [Non-standard though several of the pieces may be, they're all accessible, set recognisably in France, the Far East, Brighton, Prague, etc. No tear-jerkers, though lots of wry humour. Whatever criteria you classify texts by (narrative distance, metafictionality, realism, essay/story, etc), you'll find texts in this book that span a range.]
• "the cuban club" by Barry Gifford (Seven Stories Press, 2018) [71 stories (from Narrative, Zoetrope All-story, etc) spread over 240 pages, featuring young Roy in fifties Chicago. They're not time-ordered - on p.71 he's 19 and he's been in Europe for 2 years. In other stories he's not yet 10. It's difficult to know where to draw the line, but I think the book should have been far shorter. "The way of all flesh" might be my favourite. ]

H

• "My Mother was an Upright Piano" by Tania Hershman (Tangent, 2012) [There's often a 3-part structure, and the SF guideline of changing only one feature of reality (or conventionality) at a time is commonly adhered to.]
• "The Evolution of Birds" by Sara Hills (Adhoc, 2021) [A good read. I'm especially impressed that they've all been written since 2019.]

P

• "Alligators in the Night" by Meg Pokrass (Ad Hoc Fiction, 2018) [Situations abound where the status of a relationship is changing - first dates especially, the main character (always female?) in want of a relationship, lacking the skills to find one. There are also many pets, breasts, freckles and dogs that sniff at guests. The idea of eloping to Alaska appears in 3 stories, lice in thrift shops appearing in 2. I felt that sometimes stories tried rather too hard to repeatedly surprise. Overall the book kept me interested.]

W

• "All the bananas I've never seen" by Tony Williams (Salt) [All have narratives, the narrational duration being anything from minutes to years, but there's always some backstory - it's not prose poetry. ]

Anthologies/Magazines

• "With one eye on the cows" (2019) [Bath Flash Fiction Volume Four - 137 stories chosen from 3,123 entered for their 2019 competitions. Sharon Teller's "Her safe word is 'circus'" is perhaps the least mainstream. I liked "Show falling upwards" and many others - generally a good standard.]
• "Flash Fiction Festival one" (Ad Hoc Fiction, 2017) [Nothing especially striking. There were a few pieces that I didn't understand.]
• "Flash Fiction" by James Thomas, Denise Thomas and Tom Hazuka (eds) (Norton, 1992) [My favourites were "The Stones" by Richard Shelton, "Jane" by Steven Molen, "Bread" by Margaret Atwood, and "A Chronicler's Sin" by Pavao Pavlicić.]
• "Flash V7.2 (Oct 2014)" by Peter Blair and Ashley Chantler (eds) [I liked p.6, p.11, p.17, p.49, p.54 and p.75. p.26 sounded too much like a stripped-down journal entry. I wasn't keen on p.30 and p.37. My favourite story is "Rich" by Louise Ihringer.]
• "Barely Casting a Shadow" (Reflex Fiction, 2018) [161 Flash stories, all long-listed for the first four rounds of their competition. Few knock-outs. Many lesser pleasures. I like "Mornings", "Replenished" and "No time for stories".]
• "Stories on the go" by Andrew Ashling (ed) (2014) [Too many pieces read like extracts, or sequences of events without shape. In the "Romance" stories the main character usually begins with a wish that at the end comes true. I expected the pieces categorised as "Literary Fiction" to suit me best. It wasn't so. An exception is "Words by Bob Summer" which has a little twist at the end, but is noteworthy for its portrayal of character]
• "Nevertheless she persisted" (Tom Doherty Associates Book, 2020) [Sometimes the writing fails, sometimes the plot does. I'm not into fantasy, which doesn't help. "Anabasis" by Amal El-Mohtar is perhaps my favourite.]