Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.

Tuesday, 14 July 2026

"Bad Blood" by E.O. Chirovici

An audio book.

Prologue - Paris, 1976. A man with a bloodstain on his clothes is about to return to the States. He regrets that he'll never she someone again - someone he saw 2 days ago?

After a talk by James Cobb (35) about altered states of consciousness - how hypnotism makes people more submissive rather than more honest - he's invited by a rich dying man, Fleicher (62), to visit for a huge amount of money. Cobb was investigated when Julie, a patient of his, killed herself (she'd tried 3 times before they'd met and killed herself a year after their last appointment. She's tried to seduce him).

In long monologues, Fleischer tells James that he followed a friend, Abe to Paris. A French women Abe was interested in, Simone, turned her affections to Fleischer. Abe said bad things about Fleischer to Simone. After a night when the 3 of them were together, Feischer had found Simone dead. He disposed of her body in a suitcase, thinking that Abe killed her but worrying that he, Fleischer, might have. Under hypnosis by James, Fleischer is more sure that he killed her, and James thinks he, Fleischer was somehow invoved. After, Fleischer tells James that he chose him because they shared an uncertainty about whether they were murders. Fleischer sends James a letter written by Julie. He dies.

James is sent some notes of a dead investigator who looked into the death of Abe in America. He'd died of an overdose in his room where there were 2 glasses, one with lipstick. While in Abe's room, reading notes, he's interrupted by a woman who he later meets. He thinks that Abe had loved the woman, Simone, but that a man, Fleischer had messed things up. He meets Fleischer, who seemed unaware that Simone was alive and in the States. When the investigator visits Simone, a call-girl, she assaults him and he ties her up in the bath. He sleeps. Next morning she's dead. Knifed.

The dead investigator had been to a psychiatrist who discovered that the investigator's story was untrue. He'd tried to knife Fleischer and had changed his name from Abe. He's paid a whore to dress up as Simone each week. He was mad.

James finds that there really has been a missing Parisian woman Simone. He thinks that Fleischer may only have pretended to be under hypnosis. He finds out that young Fleischer behaved strangely with women. His rich parents consequently stipulated that he'd lose his inheritance if he was ever arrested for accosting women. James interviews a US lover of Abe, an older woman who had followed him to Paris. He interviews a friend of Simone's sister and goes to Paris. Apparently Simone was a lover of neither Abe nor Fleischer. Did Abe cover for Fleischer's crimes?

James meets Laura, Simone's sister. He realises that Laura is actually Simone. Simone killed Laura because she was going to reveal their war-time hero father (who's still life) as a traitor. Julie's letter was actually for someone else. At the end Cobb wants to admit that Julie's death was his fault. He's banned for a few years.

There are many long, rather slow monologues in the book, from several perspectives. The final twist came out of the blue, which isn't a problem for me. Why does Fleischer ask to be hypnotised? Perhaps he really was unsure what happened that night. Why does Cobb ask to be investigated? Because someone had to pay for that murder 40 years before?

Other reviews

  • ireadthereforeiblog (Chirovici’s literary psychological thriller is a smoothly written but thin affair that meditates on the nature of memory and the power of guilt but it’s hamstrung by a pompous main character whose reasons for investigating don’t quite ring true, a central friendship between two equally unpleasant men who I never connected with and an ending that feels like an unearned cheat and which left me unsatisfied. ... James never really rises about being a device that Chirovici uses to explore his main themes, which are the fallibility of memory, how memory can be influenced by guilt and how different people have different perspectives on the same events.)

Monday, 13 July 2026

"A natural" by Ross Raisin

An audio book. An excellent, ambiguous title.

Tom, 19, was at a premier football club and played for England U-18, but they dropped him. His father supports him strongly. He's with "Town" now a team in the 4th league. He's a lodger in Mr Davy's house. Mrs Davy volunteers at a hospice. Her son Liam (a groundsman) seems interested in Tom who's famous enough to be noticed in the street. He looks at male bodies and is interested in men's emotions. Clark is their stroppy manager. Tom notices the tolerance to racial, sexism, etc. Steven is humiliated by strippers at the club party.

We learn about football life - community visits, chairman-manager conflicts, contracts, christmas parties, fan blogs, tactics, price-lists of fines, etc.

Chris Easter used to play for them, then went to a big team where he flopped, then came back on big money. He's not doing well. His wife Leah doesn't know why he's become solitary. She's doing a design course. They have a little son Tyler. The manager gets someone on loan to replace him. His form improves. Then Chris is injured. Tom sees his more thoughtful side.

A new manager arrives and the team improves. Because of the manager? Because Chris has a long-term injury? Because of the new player on loan? Tom's often not in the team. A new player, Beverly, gets on with Tom. They share rooms when playing away. Liam is nervous about continuing the relationship. Tom stalks him and drink-drives. Then Tom and Liam start meeting. They go for a week in Portugal. Other gays are there. Liam tells his old friend Leah about Tom. Tom's contract is renewed. He gets a house. He and Liam meet there. When his parents come down, he goes through the house removing all trace of Liam and gayness.

New, good, black players arrive. Beverly tells Tom about his girlfriend. When drunk, Tom tells Beverly he's gay. Beverly's understanding - he has a gay cousin. Leah goes away to a design exhibition and wonders about sex with others. Tom is loaned out to a team 2 leagues down and far away. He does well and soon returns to Town. He comes out to his sister. A story on the team's discussion site says that a groundsman had an affair with an ex-player. Fans say that a gay player will attract chants from opposition crowds, and will lose some of their market value. Tom checks to see if the story spreads. He distracts himself with football. The crowd cheer him on - they don't suspect! In the cup they're paired against giants Spurs. "rather be a faggot than a yid," people chant. Fellow player Spenser's genitals are painted black. Tom and Beverley help hold him down. A few days later Spenser leaves the club. Leah wants to separate and start her own company. During the big match, Tom has a chance to score. He feels like a confident schoolboy again.

There's no explicit sex. I'm suprised that Leah doesn't suffer from sexual frustration. I thought she might show more signs of anger or worry. Belatedly she asserts herself. I like soccer, so I was happy to read about the internal politics. Tom has difficult decisions to make and plumps for pragmaticism.

Other reviews

  • Jude Cook (Raisin’s speciality is the lone, peripheral, terminally awkward male)
  • paceamorelibri (in the second half of the novel, when we start to dive into the meat of the story ... I found that my frustration with Raisin’s narrative choices was beginning to abate. Yes, I still found the soccer talk endlessly tedious, but the criticisms that I’d had ... started to mostly* fly out the window, because it’s impossible to deny how well-crafted this book is ... Chris, and his wife Leah['s] story does dovetail with the central narrative and I do understand the decision to include their point of view, but I’m not convinced that we needed as much detail here as we got.)
  • John Cook (I found the book a little difficult initially to get into as Raisin provides an incredible (but entirely believable) amount of detail about this young man’s daily life and routines and the club and family life that surrounds him. ... There are some weak points in the plotting that emerge late in this book but I do not include the conclusion in that assessment)

Sunday, 12 July 2026

"The Woman in My Home" by Kerry Fisher

An audio book.

Cath (57) hasn't been in relationship for 21 years. Her husband Andrew had been a womaniser. She has a pool and gym in the house. Her new boyfriend who'll move in is Robin, who started from nothing. Robin's ex-wife is Chloe, who's allegedly making the sale of their home difficult. Sandy, Cath's 32 y.o. son, distrusts him.

Rebecca's husband Graham bankrupted the family so they're separating. They have children Eddy (7) and Megan (9). Her mother lives in a bedsit after a financial issue years before. Her sister Debs (who's with Jason) is expecting. Rebecca's looking for work. Out walking she meets Doris/Dolly (80), mother of Kath, who needs help after breaking her ankle. They get on well until some jewellery disappears.

Cath invests £50k in Robin's Spanish property development. He proposes to her. They go on holiday to Deal. He disappears for a night. He says he doesn't like being distrusted.

Rebecca's children prefer to be with Graham. While she's in Cath's house a woman knocks, saying she's Amy, that Robin was with her on the night he was missing, that she's been in a relationship with Robin for 5 years, and that he's not to be trusted with money. Rebecca flirts with Sandy. We learn that 13 years before, Robin swindled her mother out of £200k. She's engineered this way to get revenge. She gives Robin a month to return the money otherwise she'll tell Cath everything. Robin frames Rebecca, making it look as if she's stolen jewels. He tries to borrow more money from Cath. Sandy moves out to try reconciling with his wife. Rebecca tells Cath her suspicions, thus losing out on the blackmail money. She tells her mother and sister. Sandy returns to his mother, the reconciliation failed. He repeats to his mother his doubts about Robin. Cath begins to have doubts. She visits Amy, who gives more details. They visit the house he claims his wife is delaying the sale of. Moira, his mother lives there. She severed contact with him a decade before. Amy and Rebecca visit Cath at her workplace (the section is from Cath's 1st person PoV) and Cath believes them. She chucks Robin out - he disappears from the book. Cath finds Rebecca a job - house-sitting a big house. The kids like it. Sandy does the gardening each Saturday. She has Sunday lunch with Dolly, Cath and Sandy.

I didn't believe that someone as supposedly able as Cath would fall for Robin, even though after audio novel, the author says she's heard of such cases. Language-wise, it's common for an emotion to somehow move through the body - e.g. "A wave of irritation wrinkled through me"

Other reviews

  • firefliesandfreekicks (I found Cath to be unlikeable, and somewhat of a snob. ... I wished there had been more oomph behind the comeuppance of the character who deserved it. After everything else, that fell decidedly flat for me. I expected more “thriller” from the ending – like how would the person react?)
  • Goodreads (rating 4.00, 1,905 ratings)

Saturday, 11 July 2026

"The Rest of Our Lives" by Benjamin Markovits

An audio book. Booker shortlisted.

Tom (first-person) ditched a literature Ph.D. Now he's a 55 y.o. law lecturer married to beautiful Amy, a jewish ex-cutter from a rich family. He has an undiagnosed illness - dizzy spells, etc - and the college is letting him go. Her father died young. 12 years before, at a time when she wanted another baby but Tom wasn't sure, she had an affair with Zak, in a kind of self-harming way, and miscarried. Tom had decided then to leave her as soon as the kids were at university. Tom rates their marriage as C-. They have kids Michael and (6 years younger) Miriam. Michael knows about Amy's affair but Miriam may well not. Miriam and her mother tend to argue. Once Michael left home he didn't try hard to stay in touch with his parents.

He gives Miriam a lift to distant Carnegie-Mellon. On the way back he visits his brother, a room-mate ("Sam hasn't fully inhabited his life, as if he's still renting it"), an ex-lover, a friend who thinks that white american basketball players are being victimized, then his son. Out of the blue with 2 hours of the book to go there's "Sometimes sitting in the hospital chair I think about that afternoon.". He's impressed by the relationship his son's in. He sometimes blurts out that he's leaving Amy. People keep telling him he looks ill. Michael calls an ambulance when he passes out. In a rather slow section we learn about his hospital visit - scans, etc. He has a long talk on the phone with Amy. He tells her about the people he's met. He has a large tumor in his chest, which should respond to treatment. Amy drives him away from the hospital.

There are some sub-themes -

  • Acting - Various characters had tried acting. He and Miriam had watched all of "Friends" episodes seeing the characters become caricatures.
  • Basketball - lawsuits, but also he tells people he's writing a book about neighbourhood play areas. He sometimes plays with people he meets.

The narrator's calm tone doesn't change, even after the hospitalisation - no panic, no fear.

Other reviews

  • Marcel Theroux (it focuses on the difficult middle passage in the life of its protagonist, as he tries to figure out who he has been, what parts of himself he has surrendered, and who he might yet become. We learn as much from Tom’s encounters with other people as from what he tells us himself ... you sense how frustrating it would be to be in a relationship with him – a feeling that at any given time he’s holding a great deal back. While this might make him an annoying spouse, as a prose stylist, it makes him exemplary. This is a literary novel whose great literary qualities are understatement and self-effacement)
  • julias-books (This is a road trip novel where the central character goes on a journey of self-examination. This could be a cliche if it was not handled extremely well. And I’m afraid that, for me, it was not handled extremely well. I found the author’s writing style languorous and dull. The ending was abrupt and it felt like the author had just got rather bored with his story and decided to stop. The characters lacked spark.)
  • awriterreading (Tom has his own problems and isn’t telling us everything. There is a sort of blankness to his narration, an almost mannered refusal to let emotion in, or out ... The ending does redeem the novel, but it’s still distinctly understated.)

Friday, 10 July 2026

"one minute later" by Susan Lewis (HarperCollins, 2019)

Earlier chapters alternate between the present and a timeline starting in 1984 that catches up with the present.

The present - Jetsetting London lawyer Vivienne Shager, 27 today, has a half-brother Mark, 19, and step-father Gil. Gil and her mother separated a decade ago - Vivienne doesn't know why. Her relationship with her mother Gina (a successful 46 y.o. salon-owner) is complicated. When Vivienne was 5 she thought a male figurine that her mother kept hidden in her bedroom depicted her absent father. Vivienne is successful - "She was, by anyone's standards, a strikingly lovely young woman. With almond-shaped eyes, blue as a summer sky, and a full, sloppy mouth (her description), she was so entrancing that her friends swore she could hypnotize at a hundred paces" (p.7). While celebrating her birthday she has had a near-fatal heart attack and needs a heart transplant within a year. She moves to a downstairs room in her mother's house in Kesterley. She wants to know who her father is.

1984 - Londoners Shelley (teacher) and Jack (vet) inherit a run-down farm 15 miles inland from Kesterley. They move there with their little kids, including Hannah. They find figurines of a couple in a chest. Josh is born. Some relatives move to the farm. By 1989 their saving have gone. Neighbour Sir Humphrey Bleasdale and his twin sons are nasty. His wife Jemmie is ok. Bella Slager, friend of Jemmie, runs a tourist office. Her daughter is Gina! Jack falls down the stairs and dies. An accident? The male figurine disappears. By 1995 the farm has diversified, survived. There's a rumour that Jack was having an affair. Hannah, 15, disappears for 2 weeks. When she returns she has the idea of making part of the farm into a halfway house for 16 y.o. kids coming out of care. One of the Bleasdale boys is murdered - he was involved with shady financial dealings. 2 others are imprisoned.

The present - Vivienne meets Josh, a 30-something vet who asks her out despite her health - she wears a device that restarts her heart, which stops if she gets excited. "His eyes were remarkable, almost unsettling in their intensity, for he wasn't just looking at her, she realized, he seemed to be seeing or reading her" (p.238). She learns about the farm which now has 30 youths in residence. When she visits it she sees the figurine. Was Jack her father?

Gina says that in 1989 Charles Beasdale made her pregnant. He made her drive him to the farm where he scared Jack and stole the figurine as a trophy, giving it to Gina to make her complicit. Jack wasn't meant to die. So Vivienne's father caused the death of Josh's father. Stella's informed. Her now friend Jemmie had said that Charles was in New York (!) that night. Josh drives Vivienne to meet Charles. Josh punches him. When they get back they have sex for the first time - "the most potent and transcending sensation she'd ever known ... moving with him as they journeyed slowly, blissfuly all the way to the stars". She moves in with him. Gil moves back in with Gina - she'd hated herself too much before.

Vivienne follows the vlog of Jim Lynskey, a student who's in a situation like hers. She FaceTimes him. They talk about faith. He wants to start a donor campaign - Save9Lives. Vivienne's friends fund it. Vivienne becomes pregnant (!) - she has to change drugs and is taken off the transplant queue. They marry. She meets Lord and Lady Bleasdale - her grandparents (though they don't know that). A year after her first heart attack, Jack is born. She's hospitalised for a month, her heart stopping several times. They move to the farm. A donor heart becomes available, then the donor's family change their mind. She dies while having a pump put in. In the epilogue a month later we learn that she'd written a letter for each of Jack's birthdays up to 18.

A multi-generational family saga and an individual's fight for life come together. A few "Romance" passages don't work for me. The interview with Sarah was moving. In some other sections I felt manipulated, though with the stakes high throughout the (430+ page) book I guess that's inevitable. The farm's evolution interested me. Jim Lynskey was real - he died at 23. Half-brother Mark doesn't feature much. Some of the plot details (the figurines for example) seem a little contrived, I never quite understood the Gina/Gl separation, and I'm surprised that Vivienne and Josh risked her getting pregnant.

Other reviews

  • Sarah Collins (There were parts I was annoyed by. Shelley’s chapters at Deerwood farm felt a little bit too idyllic and cheesy in places and I was willing this novel to get to the point. This is a book that may feel slow in places, it may feel like there is a bit too much happening that feels forced together in the end, but it is worth a read)
  • tuckerthereader (Both the cover and the title scream thriller and this book is anything but that ... because this book is more of a literary/contemporary fiction than a mystery/thriller. ... I don’t like to read sad books that often but when I do I want them to be the good kind of sad and this book was exactly that.)
  • Susan Roberts

Thursday, 9 July 2026

"The tobacco shop" by Alvaro Campos (Casa Fernando Pessoa, 2023)

This is a 7 page poem written by Pessoa - I'm nothing./ I'll always be nothing./ I can't want to be something./ But I have in me all the dreams of the world...
Today I'm lucid, as if I were about to die ...
Today I'm torn between the loyalty I owe/ To the outward reality of the Tobacco Shop across the street/ And to the inward reality of my feeling that everything's a dream ...
I see the clothed living beings who pass each other./ I see the dogs that also exist,/ And all of this weighs on me like a sentence of exile ...
I put on the wrong costume/ And was immediately taken for someone I wasn't, and I said nothing and was lost./ When I went to take off the mask,/ It was stuck to my face./ When I got it off and saw myself in the mirror,/ I had already grown old ...
I light up a cigarette [] And in that cigarette I savor a freedom from all thought./ My eyes follow the smoke as if it were my own trail/ And I enjoy [] an awareness that metaphysics is a consequence of not feeling very well.// Then I lean back in the chair/ And keep smoking.

Wednesday, 8 July 2026

"The nursery" by Asia Mackay

An audio book.

Lex (Alexis) has a husband Will and 2 y.o. a daughter Gigi. Will doesn't know that for years she's been working for MI6 as a rat (a killer) with an HQ by platform 8 at Holburn tube station, London. The service has been infiltrated by snakes and is going into lockdown. A website, Tenebris (maybe UK-based), connects people with info to people who will pay for it. Lex's group use school jargon as codewords - characters from Pippa Pig etc. Toys are useful items to hide bugs in. Headless dolls might be nightmarish and boobytrapped. Are lone men spies, paedophiles or divorced fathers?

A Chinese minister is visiting for a few days and Lex's group needs to protect her. She meets Johnny at an airport - rockstar and ex-lover, and while there plants a listening bug. Will's worried that their relationship is struggling. She tells him about Johnny. He realises that a song of Johnny that he danced to is about Lex. She wonders why Will gets texts in the night. She's attracted to Frederick, a colleague whose child is at the same nursery as Gigi. Sometimes they discuss work while with the children, interleaving 2 discourses. When Gigi gets into trouble for fighting at school, Lex worries that her daughter might have inherited assassin genes. She contacts partners of colleagues, pretending it's for social reasons but actually trying to gather info about her colleagues. Lex is alone in the HQ when "ghosts" attack. She manages to disable/kill them. Robin, a colleague, is taken away.

The chinese minister attends a hunt at a Lord's hunt. A death threat is narrowly averted. She begins to suspect Frederick and panics when the nursery tells her that Frederick took Gigi home. All is ok. Later Frederick abandons his daughter. Lex collects her and calls his wife Camilla. She says Frederick has been asking strangely. The house is searched. Children's drawing were coded messages. Playdough was actually C4 explosive. The minister's last engagement is at Christie's. Frederick has put drugged Robin under the auction room, a bomb tied to him. She defuses the bomb and saves Robin. Frederick escapes. He'd had the idea for Tenebris, funded by 2 city boys. A nursery teacher was a go-between. Access to Tenebris is gained with invaluable data about people, wants and skills. Lex and Will patch their relationship up.

Enjoyable. I didn't realise until reading the reviews that this was the 2nd of a series. I liked the way that nursery life is braided with the spy world though the section about political correctness in fairy tales goes on too long.

Other reviews