"The extinction of Irena Rey" by Jennifer Croft

An audio book.

It begins with a translator's note, telling us that the translator is a character in the piece which was written in Polish, the narrator living in South America, translating into Spanish.

Irena, having written 2 unsuccessful novels, married and had a book successfully filmed. With the money she bought a house by a Polish forest. Bogdan is her husband. Her team of 8 translators are invited there for her latest book, "Grey Eminence". They're nameless, labelled by their language. The Czech translator has died. There's a new, male, sexy Swedish translator. The others are female. They speak only in Polish, their only common tongue. There's an interest in fungi - a rare slime-mould - and extinction. The forest is dying. There are non-native species.

Irena disappears, first e-mailing them each a copy of the book. Bogdan has disappeared too. They each read part of the book (over 900 pages), summarising it to the others. The book's protagonist, Amalia is the first climate-change artist. Is Amalia Irena's alter-ego? She's a literary top-predator without enemies? They break into her bedroom. It has many contemporary Japanese books. The translators look in the surrounding wood for her - it has wild boar and bad symbols. Old trees could fall. A quarter of the world's languages are in the great forests.

The Swede, Freddie, breaks a taboo by asking for the narrator's name. She's Emilia. Her mother was a therapist and her father owned a condom company. He says he's a budding poet. His wife is Bogdana, who left Poland when a gallery she was guarding was burgled.

They all start breaking taboos - they use their names and question Irena's writing. Chloe's nearly hit with an arrow - are they under attack? They gather to discuss evidence. Irena seemed out of sorts before she disappeared - perhaps what they saw was Lashie, the fabled guardian of the forest - a shape-shifter. Emilia thinks that a forest-ranger they met could be Lashie. Irena has a basement stocked with alcohol where she grows fungi. Perhaps she was poisoned by the final meal they shared?

Pavel, the Czech translator, isn't dead. He meets the narrator. He and Irena were lovers for years, breaking up when he got her pregnant. She miscarried. Irena's father didn't die in a duel. He lives next door, 100 years old. He thinks Irena might have gone to Japan. Freddie and Emelia have sex for a few nights. The English translator Alexis receives an e-mail from Irena, asking for the latest translation. She sends it, not realising that the e-mail's a fake. The Nobel's announced. She doesn't get it (but will 9 years later). Barbara (a Polish author who Irena hates) turns up to say that she and Irena are off to Belarus to collaborate. A parrot comes to live with them. It eats an all but extinct native beatle.

The team hurry to complete the translation - Amalia dies, the forests are in danger They weren't allowed to translate other authors, but now they admit that they secretly do. The narrator (who hates Alexis) thinks Alexis and Freddie are becoming close friends. Alexis starts wearing Irena's clothes. Emlia reads Alexis' translation and sees that a section's missing. They realise that Irena's been using parts of their lives as material for her novel, and that Irena had stolen ancient artefacts in the house. Was Bogdan trying to return them to museums? Alexis and Emilia have a duel. Both miss. Emilia looks at files on Irena's computer. There's a draft about Translators - minotaurs who feast on flesh. There's a section on each of them - were they chosen because of their sad lives? Emilia's described as a submissive loser, providing the novel's comic relief.

Diggers are invading the forest. Emilia gets an article published and protesters appear. The translators have been there for over 6 weeks. Emilia, using social media, thinks she knows where to find Irena. They hire a van and head for an abandoned Berlin airport. They find some of Irena's and their possessions in the lost-and-found office. Irena shoots an arrow at them from a rooftop. They kill her, take her body home and burn it, along with the house, blaming the Polish Government for it (they wanted to keep her quiet), vowing to keep her words alive. Bogdan had been e-mailing them, pretending to be Irena.

It scored only 3.2 on Goodreads. Having read some reviews after having completed the book, I realise I've missed a lot. I'm impressed. I was expecting the team to become a replacement for the missing writer, perhaps dying one by one until only 1 or 2 were left. For me there are too many red-herrings/loose-ends - the cellar, the duel, Bogdana, Amadou.

Other reviews

• tonysreadinglist (We’re supposedly reading the English-language translation of a novel first written in Polish, a fictionalised account of the translation summit penned by Emilia, Rey’s Spanish-language translator. To make things even more complicated, Alexis Archer, the American doing the translating, is also a character in the novel, and you get the feeling that this is no labour of love ... the translators attempt to work out what’s going on, the various rivalries and attractions are played out, with surprise visitors turning up to add to the tension. It’s all rather OTT at times, with the translators coming apart at the seams the longer they’re left to their own devices. And yet, they’re not just disintegrating, but also emerging as individuals, in a way they couldn’t when Their Author was present. ... The Extinction of Irena Rey is also a densely plotted story, with plenty of Tokarczuk Easter eggs for the devoted. For example, there’s a notable focus on fungi, and the idea of mycelia, the great underground systems of interconnected plant-life. This also plays a prominent role in Tokarczuk’s early novel Primeval and Other Times)
• Carrie O'Grady (the text we are reading, written by Spanish, has itself been translated by another of the eight, English – and Spanish and English do not get along. English makes it clear, in her prefatory Note from the Translator, that she has her suspicions about Spanish’s version of events, and has “corrected” a few things as she went along. So we are faced with a (possibly) unreliable narrator, translated by a (possibly) unreliable translator. It’s a hall of mirrors worthy of Nabokov ... Croft just about manages to keep it all together, although her fondness for themes and metaphors comes at the expense of character development. The warring English and Spanish are a marvellous double act, but others who could also have been interesting (Serbian and Slovenian, for instance) are neglected. And the ending, which unites the group once more, falls a little flat)
• Chris Rutledge (Croft is well suited to write a story about translators, and one is tempted to read much into her background. Best known for her campaign to have translators (deservedly) named on the covers of the books they help shape, she herself is a Booker Prize-winning translator of Olga Tokarczuk’s novel Flights, among other works. Emilia is her avatar here ... One weakness is the somewhat fantastical nature of Irena’s disappearance. Her motivations and methods remain inscrutable, and the translators’ search for her has a bit of a knockabout feel to it.)
• Chris John Poole (The Extinction of Irena Rey provides no single stand-in for its author; instead, a network of interlinked characters echo Croft’s own life. ... Rey’s home underlines the disconnect between abstracted selves and the real people who create them. Similarly, the surrounding forest, Bialowieza, reveals the divide between nature’s fluidity and the artificial limits imposed on it. Its boundaries are rigidly drawn: a border splits Belarus from Poland; fences wall off private property; xenophobes view migrants as intruders. Yet the underlying ecosystem remains hybridising and amorphous ... To some extent, Emilia and Alexis embody two prevalent translation approaches, and the poles of the novel’s core dichotomy. Emilia, an endlessly faithful translator, wrestles with Alexis, who willingly transforms and rewrites.)
• Ilana Masid (If your head is spinning at the layers here — a novel within a novel that is actually a translation of a Polish novel based on real events written by a non-native Polish speaker — you're exactly where you should be, and you're in for a delightful adventure. ... Croft's novel is about a lot of things: the complexities and beauties of translation, climate change and the mass extinction of species, art's potential to save or destroy the world, obsession, lust, and much more. But perhaps more than anything else, it is about how impossible it is for anything living to be entirely, absolutely individual and independent.)
• Lyle Rhytis (Wrought in lively prose and complemented by a dazzling suite of meta-textual hijinks set to the beat of a mystery novel, The Extinction of Irena Rey is an empathetic and comic investigation of the role of the translator within the literary project. It is particularly delightful for those with a brain for literary puzzles, Easter eggs, and books within books. ... The book The Extinction of Irena Rey is most indebted to is Vladimir Nabokov’s Pale Fire ... Without access to Emilia’s original, we are forced to draw our own conclusions from a rollicking interplay of an unreliable translation of an unreliable text. Admittedly, some readers might find their suspension of disbelief taxed a bit too much at times: the translators’ actions are initially a bit too servile and, by the book’s close teeter toward the unbelievable.)

"Mindset Mindrise" by Katie Griffiths (Nine arches press, 2026)

The 3 pages of notes/acknowledgements point out which poems are "after" others, which poems are mash-ups of legal documents, quotes, or articles, etc. A poem was in the 50th Pushcart Anthology.

I like the book's title and several of the pieces. The most interesting ones are "The Man/Boy in the Moon", "TechBro bites his nails", "When we had jobs", "He calls me tulip-mad", "Is he invention, sidekick, lodger", "RifleBrain", and "Before I stillbirthed the birch". Not so tempting are "I give TechBro scissors", "TechBro's My anecdote" or "TechBro wants me to copy his handstand".

There are sections I don't think I understand, or perhaps I'm looking for too much -

• "Downward gaze at latest phone./ Jungle gym of hyper-functionality,/ ultra-performance, riveting liturgies./ Silent call and response. Defection/ into Narnias-within-Narnias" p.36
• "Let's call my stance/ a bamboo guardrail/ over a gnarly future// let's call it the southbound lane/ still traffic-coned/ on the replacement bridge" p.69

"Verbal reasoning test" has gaps - e.g. "Perhaps language is to narrative/ as candles are to _________". Don't believe the "Answers on page 81" footnote.

"Zeno's conscience" by Italo Svevo (Penguin, 2022)

First published in 1923. The author was Ettore Schmitz - his father was a German Jew. Ettore was expected to join his father's glassware business but he liked literature. When his father's business failed, Ettore worked in a bank. He married into a successful family (with an underwater paint business), accepted by them as quirky and interesting. He took English lessons from James Joyce. They liked each other's work. Some of Bloom's Jewish details come from Svevo. Thanks to Joyce, Eliot and Montale found out about "La coscienza di Zeno". Svevo became famous in literary circles. He wrote in an Italian that people found clumsy - it was his third language.

In the Preface it says "I am the doctor occasionally mentioned in this story, in unflattering terms. Anyone familiar with psychoanalysis knows how to assess the patient's obvious hostility towards me ... I am publishing them in revenge, and I hope he is displeased. I want him to know, however, that I am prepared to share with him the lavish profits I expect to make from this publication, on condition that he resume his treatment"

It's set in Trieste. Zeno's first-person PoV. The sections are -

• "Smoke" - He kept having "his last cigarette". He went into a clinic, drank, then escaped - thinking that the doctor was having an affair with his wife.
• "My Father's Death" - His mother died with he was 15. His father, a widower, died in 1890. They had little in common. There was little love, though the death affected the narrator greatly
• "The Story of My Marriage" - He befriended a family with 4 daughters whose names start with "A". The father, a businessman, was unfaithful - the wife knew. The narrator decided at 30 that he should marry, and decided rather arbitrarily that he'd marry Ada, the person in the family who'd shown the least interest in him. He obsessed about her, decided that it's her or nobody. "It is said, indeed, that the dying, in their final fever, review their whole lives. My past now gripped me with the violence of a last farewell because I had the feeling I was moving far away from it". He met his rival, Guido, who's handsome and talented. He'd been talking to (ugly?) Augusta as a way to stay close to Ada, but rebuffed by Ada, he immediately asked Augusta to marry him. She'd liked him from the start.
• "Wife and Mistress" - He got used to married life, liking decisions being made for him. He found a mistress, Carla, a poor singer. "I had wept so over my infidelity before committing it, that it should conceivably have been easy to avoid it". At a family gathering he messed up the reporting of a friend's death. "Wine ... reveals especially the past and forgotten history of the individual rather than his present wish; it capriciously flings into the light also all the half-baked ideas with which in a more of less recent period one has toyed with and then forgotten". After a year or two, Carla's proposed to by her song teacher and breaks up with Zeno. Augusta and Zeno have a daughter, Antonia, who comes to look like Ada.
• "The Story of a Business Partnership" - Zeno goes into business with Guido, who has a rich South American father. They start with some bad deals. Guido employs Carmen - because Guido wants her as a mistress? Ada has twins. She has to go to a sanatorium. She returns, looking ugly. Zeno tries to find a job elsewhere for Carmen. Guido pretends to attempt suicide. He gets a promise of money from Ada to prop up the firm. Augusta has a 2nd child, Alfio. When the company's about to go bust, Guido gambles in stocks, does well, then loses it all. He expects Zeno and Ada to help bail him out. He overdoses again - another fake attempt. This time, partly because it was raining, doctors arrive too late. Zeno misses the funeral because he was trying to recoup the money. Ada and her children go to live with her in-laws in South America.
• "Psychoanalysis" - It's 1915. War. He's stopped therapy. The therapist said it was Oedipal complex and that he was cured. However the narrator had invented the things he'd told the therapist with emotion. He wants the manuscript of "confessions" back from the therapist. He's now going to set the story straight. On p.405 we learn he had a brother, a year younger than he (or was it just a dream?). The narrator recounts dream about his early years. The narrator said that Zeno's smoking was to do with his father. He has a break in the countryside. He chats up a peasant girl. He meets German soldiers, complaining to them when they block his walk. He believes that business has cured him - since war broke out he has been buying.

There's a disconnect between emotion, intellect, and the body. Reasoning can generate fake emotion, and visa versa. Illness is a reminder of death; it can be psychosomatic (caused by emotion); it can be faked to attract sympathy (caused by intellect).

"Wild Dark Shore" by Charlotte McConaghy

An audio book

Several PoVs (and readers!)

Rowan is found on the shore of Shearwater Island. She's wounded, has hypothermia, and then recovers. The island (close to Antarctica, owned by Tasmania) has an internationally important seed store. The research station has been abandoned. One family is left, living in the lighthouse. There's Dominic, the widowered father who still talks to his wife, with children Raff, Fen (girl, 17) and Orly, about 9. They've been there 8 years. Clare's been dead for 9 years. In 6 weeks, they and the seed store will be collected - the rising sea-level will make the island disappear before long. They're short of power and fresh water. The radio's been broken.

A decade or so before Rowan had bought land and built a house. Hank came into her life. He wanted children, she didn't. Their house burnt down. They'd searched through the ruins. She's gone to live with her sister. He went away for a year to become team leader on the Island. He didn't return to her. She thinks that Dom may have killed him. Dom recognises her. She tries to get the children on her side. They find out who she is. Raff had been in love with Alex, a fellow violinist from the research camp. Fen's not allowed to sleep in the house (because Dom doesn't trust himself?). She loves the sea. Orly knows a lot about botany - his interesting facts punctuate the book.

Rowan has come to the island because she'd got a worrying message from Hank (47). Dom confirms that he was troubled, that they'd tried to help him. Dom digs up a grave - it's Alex's not Hank's. Alex died in a storm-induced accident - did he hang himself? His brother Tom, 8 years older, had been on the island too. Rowan's younger brother River had drowned while she was supposed to be looking after him. Dom and Rowan make love.

The family wonder where they'll go from here. A whale capsizes Raff and Rowan. They recover. Fen burns her father's horde of Claire's stuff, for his sake. The seed store is broken into by the sea. They have to decide which seeds to save. Hank had been the expert. He'd trained Orly. A mother and child whale become beached. Dom must decide whether to save the whales or the seeds. They try to do both. They free the child whale. The mother is more of a problem, but they free her too.

Rowan finds Hank locked in a room in the seed store. We go back in time, Fen's PoV. Fen and Hank had an affair. She'd told him she was pregnant. He'd tried to drown her. He'd tried to drown the seeds. Dom had battered Hank, Raff had dragged Dom away, then Dom imprisoned Hank.

We learn that Rowan had cancer when she was pregnant with Orly. She made a decision to have Orly rather than have an abortion and save herself. Dom could have over-ruled her.

It was Orly who had destroyed the radio equipment to make sure that Dom finished the seed-sorting work. Rowan, thinking Dom mad for imprisoning Hank, learns from Fen that Hank was dangerous. When the sea begins to flood Hank's cell she's unsure whether he should be saved. Orly decides to save him. When he releases Hank, he locks Orly in. Rowan saves him as he's drowning by giving him her last breath of air. Dom is freed of his demons - Claire's accusatory voice. Meanwhile, Hank tracks down Fen. Raff deals with him. So in the end the family leave the island but nobody else does.

In general, the smaller the island, the more symbolic the action. The story begins and ends with the same 4 people. Alex affects Raff. Rowan changes Dom. Hank affects Fen and Orly. There's a pile-up of action at the end. I hadn't expected Hank to appear, and I certainly hadn't expected young Orly to have been the saboteur. The symbolism of the whales (motherhood; choice of who to save) felt a little heavy-handed. I don't like "narrow in shape"

Other reviews

• Jen Shoop (Do we save the ones most likely to thrive and nourish? Do we protect the rarest of the lot, the ones most likely never to come back? Or do we permit our own imperfect hearts to make the call, favoring those whose features move us? ... Do we save the ones most likely to thrive and nourish? Do we protect the rarest of the lot, the ones most likely never to come back? Or do we permit our own imperfect hearts to make the call, favoring those whose features move us?)
• whatisquinnreading (The only (barely) negative thing I can say about Wild Dark Shore is that the literary thriller-mystery includes more moments of melodrama than I would’ve anticipated (that whale scene comes to mind — IYKYK).)
• David Burton (It is clear McConaghy is reaching for literary acclaim here. She will receive it and deserves it, but the prose comes close to indulgent in its constant lyricism. Even though the novel switches between diverse points of view, the narrative voice never alters. Even the youngest child is capable of a stream of beautifully articulated poetic thought, filled with thematic relevant allegory and desolate imagery.)

"Shrink solves murder" by Philippa Perry

Dr Patricia Philips, 62 and needing a hip-replacement, used to be a solicitor married to Martin in London. Then she met Sue, a solicitor, and they became partners for a year before love cooled. Patricia became a psychotherapist and moved to the south coast, living in a cottage. She has a male friend Pritchard. One morning the police visit to say that a patient of hers, Henry Clayton, had been found dead at the foot of a cliff. They'd been Zooming for a month. That day was to be their first face-to-face meeting. He'd had a difficult break-up with Derek and had gone to Sue for legal advice. She'd recommended Pat to him. Pat tells the police there'd been no signs of suicidal tendencies. She discovers that Henry and Derek had booked to spend the night together locally, and that money has disappeared from Henry's account. By taking a policeman out for a bun, and asking about his childhood, Pat gets him to show her Henry's suicide note. She doesn't believe it's genuine. She goes through the recordings of her interviews with Henry, re-assessing them.

Swingers Fiona and Malcolm live next door to Pat - she can see what's going on if she perches on her bath. She's grumpy about litter, careless dog-owners, and the golf course's building plans - Dorna's project. Dorna has an alibi. On another project of hers a team-member died. Henry, on behalf of his company was going to lodge a complaint about the project. Pat sees Martin flirting intimately with Fiona. She talks to Martin and finds that he was with Fiona on the night he should have been with Henry. Henry had been seen with another man. Pat has a daughter Sophia, an influencer who stays the weekend to tell Pat that she's pregnant but fears she might be as bad a mother as Pat had been. Henry's files are stolen from Pat's office. Marcus, who's recently moved in, breaks into Pat's house while she's there, in tending to kill her. First he tells her that he and Derek have been working together. Prichard overpowers him, having recorded the conversation.

The most interesting passages are when Pat discusses with clergymen etc how to detect and help potential suiciders.

Other reviews

• jenmedsbookreviews (A lot of the real humour in this book comes from Pat’s attempts to assimilate into the community, something she has largely actively avoided before. Book clubs, neighbourly parties – all the kinds of things that turn Pat cold but that may hold the clues vital to her, and our, understanding of what is going on.)
• the-gingerbread-house (The book embraces the pleasures of cosy crime: gossip, small communities, hidden resentments, and a puzzle that feels fair to the reader. ... The reflective, therapeutic lens is refreshing, but can sometimes soften the tension. That’s a feature rather than a flaw, but it will depend on taste)

"Conclave" by Robert Harris

An audio book.

The pope has died. Lomeli (it's his close 3rd person PoV) is organising the vote. Tremblay, a Canadian, is one of the favourites, but Lomeli is told that the pope was about to sack him for misconduct. Bellini, an intellectual, is the liberals' favourite, and Lomeli's. Adeyemi is 10 years younger than the others, Nigerian and black - a reactionary. Factions develop. Female ordination? Proportional representation (will the dead pope be the last Italian one)? There are protesters outside. Benites arrives late - born in the Philipines with experience in Iraq and Istanbul, but little is known about him - he wasn't even in the list of cardinals. The pope had secretly included him. Lomeli gives a speech, trying to remain neutral, saying that variety within the church provides robustness against change. Voting begins - mobiles are banned and windows covered. Over a quarter of the cardinals get at least one vote in their favour. Tedesco is top. Lomeli supports Bellini. After the 2nd round, Adeyemi leads. But a Nigerian waitress seems angry with him. Lomeli finds out that 30 years before, when she was under-age and Adeyemi was 30, he made her pregnant. Lomeli finds out that Tremblay had arranged for her to be there. Lomeli challeges him. He says he summoned her because the pope asked him to.

Lomeli sneaks into the pope's room and finds hidden evidence that Tremblay (who has 500k euros in the bank) has been giving bribes in cash to several cardinals. He asks Bellini what to do. Bellini says that he should destroy the evidence. Instead he distributes the evidence to all. In the 7th vote, Lomeli (to his horror) is leading. Bombs go off nearby - the church is under threat. Benites wins the vote. Lomeli finds out that he's a woman with such a large clitoris that he was brought up as a boy. Benites says that the Pope knew this.

An easy read - a good audio book choice. Like others, I found it unexpectedly gripping. I was interested in the factual background and liked the way that individual morality is contrasted with the future of the institution - without doubt there is no faith; being pope may be a personal sacrifice for the sake of the church.

Other reviews

• Ian Sansom (Conclave doggedly sets out to provide readers with the fundamental satisfactions of story: of sequence, configuration and organisation.)
• shereadsnovels (it was the ending which struck the only wrong note for me. I had been able to sense that some sort of twist was coming up, and when it did, I felt slightly cheated. It was something that had actually passed through my mind earlier in the novel, only to be dismissed because I had also thought of several other, more convincing ways in which the story could end)
• dearauthor (I am still in shock trying to figure out what happened to me when I was reading this story, because I found it *gripping*. I could not put it down even despite the fact that any more or less experienced reader would know who will become a Pope the moment this character appears in the story.)
• John Boyne (it's a shame that Conclave, while an entertaining read, proves far less insightful than it might have been. ... Perhaps it's because their villainy is so rather mundane that Conclave fails to engage. It's not unreasonable to assume that many cardinals would like to become pope, but as each one slips from grace, the whole thing starts to become a little daft. ... Unconcerned with religious debate or philosophical argument, Conclave quickly descends into high camp. ... for all its faults, there’s no denying that the novel is a page-turner. The action moves at a breakneck pace and, with each passing ballot, the reader is keen to discover who’s up and who’s down. The twists keep coming, some visible from a mile away, some genuine surprises, but it’s the final one, saved for the closing pages, that stretches credibility to breaking point.)

"Old bones in Puglia" by Tom Benjamin

An audio book.

Dan (an English widower living in Bologna with his 19 y.o. daughter Rose) goes on holiday with his boss/father-in-law Giovanni (a private investigator) and Rose's friend Delores, 29. They go south. They meet an ancient relative, Adolerata, who promptly dies having seen Rose. They meet an archelogy prof and his young helper Persefone. There's a local cave which is being excavated. The prof says that an anfora from the museum has been replaced by a fake. Is the Malvaggio (the local mafia) to blame? Giovanni investigates, checking with local dealers. He used to be a policeman there, and had solved a famous case - he'd literally smoke out an old lady poisoner from the village's network of tunnels. He visits the studio of a local artist - Cornelius. He's disappeared, leaving blood which has disappeared by the next day when the police visit. There's a broken virility statue of a local businessman, Diamante - is someone putting a curse on him to cause erectile dysfunction? There are historical interludes - about Padre Pio; about how old relics have a certificated chain of provenance, like racehorses; the "male bottleneck" - a time when there were far fewer males than females.

The prof going missing. Grasso is killed minutes after giving Dan and Giovanni info. Dan sees who did it - someone who knows a local female teacher. He tells the police before he realises that being a witness of a mafia killing put him and his family at risk. They find the prof chained in a farmhouse where there's illegal betting. Persefone invites him to her house. They have sex. When he awakes, he's in handcuffs and his car has gone. He releases himself. A sex game? Rose and Delores have hardly been mentioned. Now Rose is missing. The streets are packed - a religious procession with hooded people and random fireworks. He's chased by a hooded person with a knife. He kills in self-defence. It's the female teacher. He's arrested, released. He and Giovanni explore the caves. They find a coven - a circle of cadavars and women. For decades, women have been killing men who've been bad to women. Adolerata was a leader. Rose is next in line. She's told to kill Giovanni (the poisoner had been part of the coven) otherwise Dan would be killed. They escape. There is no Malvaggio - it was a rumour the women concocted to keep the mafia away. But now the real mafia were infiltrating. The prof had been selling off relics to pay off his gambling debts, replacing them in the museum with fakes.

I think you'll need to enjoy reading about history and Italian culture to enjoy this book. Fortunately, I do. But I'm not so keen on "blood visibly dripped from the handle of her knife". Visibly?

Other reviews

• goodreads