Poems from "berlin lit", "and other poems", "Poetry Birmingham", "Ink, Sweat and Tears", "bath magg" etc.
- "I am all solution, empathy machine/ in a boomerang tiara,/ comic book scene at high noon,/ the one untouchable archetype,/ the one you cannot take home/ and dismantle" (the end of "Both wrists silvered, watch me deflect" After Wonder Woman). The tiara is Wonder Woman's. Maybe the cowboy "High Noon" and comics are being compared. Beyond that I'm rather stumped.
- "On a dry summer day/ my father calls me a [redacted]/ for the first time/ after he hear my friends/ call me a [redacted]./ He says it's because/ I can't shoot a ball/ or kiss a girl to shut her up./ Because I never play/ in the monsoon/ like the other boys do." (from Thalassophobia). Does this section earn its keep? Do the line-breaks? Should "hear" be "hears"? Should "says" be "say"?
- Is "Morning" enough for a poem?
- "Later, 4.1K tweets will disagree./ Before deleting said tweet,/ the American will ask/ what's wrong? Aren't all Filipinos/ forgiving? Aren't they meant to be so/ tolerant and hospitable? ...
Before the second date, I texts you to ask/ if you could wear anything/ that isn't a turtleneck. He says/ he finds your neck so arousing/ the same way he finds your leg hair arousing/ and wishes you wouldn't be so formal/ about the way you dressed"
(from "Neon Manila"). Line-breaks? The 2nd of these 2 extracts is the only text on the page!
The "Disco Ball Unbreakable" section has poems that cumulatively have an effect I like - like the facets of a disco ball maybe. The poet creates discontinuities that he then smoothly negotiates. It's hard to single out a favourite poem. The main theme seems to be flesh vs clothes - where flesh and clothes meet; how flesh feels just after clothes are removed; how clothes retain something of the body after removal.
There are 3 pages of "Acknowledgements and Thanks" with nearly 60 people named.