Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.

Thursday, 23 July 2026

"Family money" by Nina Bawden (Virago, 1992)

London. Fanny Pye has been a widow for 18 months. Her husband had been a diplomat. Her son Harry is married to Poppy. They have 3 children. Fanny is injured trying to stop street crime. Her daughter Isabel (4 years younger than Harry, married to Max with 3 children) visits her in hospital, as does Fanny's sister Delia, a Baroness with a daughter Rebecca (the youngest, shyest) and 2 other daughters.

The man injured during the street crime might die. Fanny's discharged back to her 5 floor house. The garden is on the canal where narrow boats have moored illegally for decades. Ivy (who used to babysit for her and has been a friend and paid-helper) visits. Her husband is disabled. Delia's daughter Rebecca (26) moves in as housekeeper. Fanny doesn't like being suddenly treated like an old, helpless woman. When with Harry watching a young couple she clumps him with her generation rather than theirs. She wants to sell up and buy Ivy a house without telling her. Fanny's kids don't object.

The crime victim dies. The police try to get her to recall the incident - now a murder case. The next door neighbour's house catches fire, damaging the top floors of Fanny's house (including the attic of souvenirs), thus delaying the already agreed sale. Fanny thinks that Isabel is having an affair (actually she's pregnant). Fanny used to have affairs, we now learn.

Ivy's husband has a stroke, then dies. She's planning to move in with her son's family (Fanny is shocked to discover that the house is twice the size of her own), thus spoiling Fanny's plan of getting her a house. She tells Fanny she should downsize. Fanny wonders about giving the house to Rebecca. Fanny meets Jake, a boat owner. She thinks he may have been involved with the crime.

Fanny meets Tom who she and Pippa knew 40 years before, a widower now. "It had been a pleasant meeting but now the first flush of surprised recognition was over they would become strangers with nothing to say to each other". But they start seeing each other. He sometimes stays in her spare room - he has troubled siblings. He proposes. She rejects, saying that he could be her tenant. Harry's suspicious until he meets Tom. At the end, Fanny's leaving to visit a friend in Pakistan. She's aware of her bouts of inexplicable anger, panic, etc.

Each crisis - Fanny's hospitalisation, the fire - triggers re-evaluations between family members. Fanny re-evaluates her past, her marriage. Conversations come under analysis - "'You usually call me Ma when you are displeased with me'"; "It was simply a coded way of expressing a mild reproach". I couldn't see that Felix's family were worth mentioning.

Other reviews

Wednesday, 22 July 2026

"The Final Play" by David Baldacci

An audio book. A novella.

US college footballer Swift has broken a record set by Ruggles decades before. Ruggles disappeared down the players' tunnel and was never seen again. A wig and gown had been found down there. Swift's clever science friend North is curious and investigates. They find the dead body of Linda Daltray in her wig shop. They track down Vilacheck, a player who had been somewhere down the tunnel at the time. He owns a bar - how did he get the money for it? Molly, North's friend, arranges a meeting with Gloria, 75 y.o. widow of the college benefactor. She admits to having an affair with Ruggles. She says he didn't like football that much.

North tells the police where to dig to find the body. He accuses his father of involvement with Ruggles' death. His father's girlfriend of the time was Linda's mother - who subsequently bought a shop. She lured Ruggles down the tunnel. His father says that when he confronted Ruggles, Ruggles said he wanted to sneak away and give up football. His father shoots Swift (a flesh wound, but bad enough to limit his sport career) then kills himself.

4 years later, having got a PhD at MIT, North returns. Swift and Molly marry.

No.

Other reviews

  • Kartik Narayanan (I have so many issues with it concerning the characters, the plot, the setting — basically everything. ... inserting words like quantum, time shift etc do not elevate the book ... The main character cannot be awesome suddenly just by imagining he is a photon undergoing quantum tunnelling. ... the only saving grace is that it is short.)

Tuesday, 21 July 2026

"The expanded earth" by Mikey Please

An audio book

On July 2nd - "The Descent" - people shrank to 10% of their height. Many people didn't survive the shrinking (pacemakers, artificial hips, cochlea implants, etc, didn't shrink). Millions of years ago, therapods suffered the same shrinkage. Elizabeth Godwin runs a research project in the New Forest about plankton being a superbeing - their dead and living bodies forming a binary code. She wants to conect with it, with God. A young researcher Lazlet wants to work with her. He creates a connectome so people can connect with a pool of plankton. Religious fanatics take over the project, taking Lazlet away.

There are various little, independent stories - "Elsewhere". All astronauts but one die. She returns to earch with a memorystick containing data about July 2nd. On an island, battling parties stop arguing because there's so much more land now. Some people see the collective plankton as a God correcting the faults of mankind.

Giles wakes, shrunken. He wants to find his daughters - Eva, who has a weak heart, and Sadie. Seeking a phone charger he finds a tent village of survivors. They build a car needing 6 to drive it. Cats and dogs are frightening. Alwyn is killed with a scalpel by a woman in red (actually it's paprika, to keep animals away). Children have set up their own tribes and try to kill the adults using fireworks, etc.

Matilda (a paramed) and Bob (Police) attend a traffic accident where people's clothes are left, and there's a shrunken body. They visit a nearly building. Shrunken Godwin is there. She thinks her experiment might have caused people to shrink in the range of a km or 2, and is worried that Lazlet will cause an event that will affect the world. She thinks that in a coma aren't affected so she advices people to take barbituates. Matilda and Bob try to inject as many people as possible as the predicted event gets close.

Giles returns to the building where he worked. The women who killed Alwyn is there. She says that Richard isn't a priest. He's fanatical about the end of the world and is killing people. Giles finds his fully grown daughters and Matilda, who's an ex-lover?

Oh, it's the first part of a trilogy. It has elements of SF and fantasy that don't always mesh - wouldn't small people have such high-pitched voices and such different ears that communication with normal sized people would be difficult. I like several of the ideas.

Other reviews

  • echoesinanemptyroom
  • potsandplots (The Expanded Earth contains two central stories. One is set before “the descent” (where humanity shrank), and the other is in essence a quest, where a disparate group of adults is shepherding a gaggle of children to safety. ... This quest aspect of the story is strangely reminiscent of Watership Down. ... The other thread offers an explanation of how the descent occurred. Hubris and science gone wrong. An eccentric scientist, their research derided, stumbles upon something incredible. This work is appropriated by people who don’t understand its significance, triggering a cataclysm. These events centre around Matilda, a paramedic, as she tries to cope with, understand and contain the initial shrinking outbreak. ... While these are the two main threads, there is a third strand that is arguably even better. A potpourri of stories from around the world, giving wider context to the tale and showing us glimpses of what is happening away from the main story )
  • goodreads (3.83 rating; 1,015 ratings)

Monday, 20 July 2026

"Midwife on the Orient Express" by Fiona McArthur

An audio book.

Prologue - a 12 year old Lucas sees his mother drown in the sea in Australia.

Now he's a world-famous infertility doctor. It's 23rd December. He's with his 80 y.o. grandmother Winsome in Venice, waiting to catch the London train. She's done the trip several times. Now a widow, she's hoping to meet Max again.

Australian Kelsie by chance is waiting there too. She left Lucas at the altar 15 years before, when she was 18, because she suddenly had career ambitions. It was his grandmother's example that had made her dream of doing this journey one day. She's manager of a Maternity Unit.

They're both attractive and single. They meet. Lucas is still grumpy. Winsome sees an opportunity to do some matchmaking. She sees that Max, now a widower, is on the train.

A passenger, Anna, gives birth. Kelsie and Lucas are impressed by each other's handling of the breach birth, and sleep together. After, Kelsie thinks that Lucas (still) doesn't respect her abilities enough, and he doesn't want to be led up the garden path again. He's helicoptered from Calais to a patient in London who thinks she's about to give birth. Kelsie and Winsome talk. Kelsie decides that Lucas doesn't have a controlling personality.

Epilogue - Max and Winsome are married. Kelsie is giving birth.

No. Decisions and tension built round very little.

Other reviews

Sunday, 19 July 2026

"Tomorrow's woman" by Greta Bellamacina (Andrew McMeel publishing, 2020)

Her work has appeared in the Guardian, The Times, Vogue, London Magazine.

There's a 6+ page forward by Robert Montgomery. He writes

  • "Greta writes in a kind of reinvented English where inanimate objects are filled with life"
  • "As a poet, you should struggle and push against the walls of the language you write in; and Bellamacina does this to new levels, and perhaps more brilliantly than any poet of her generation, creating new phrasings in English, which make at first only musical sense"
  • "poetry in English, to be new, needs to forget the English language as much as possible, the heavy weight of all its structured precedents, and especially the terrible dulling administrative English we are forced to use every day. Twenty years ago I began to look for a poet who could do that - when I found Greta, I finally found that poet"

The section headings sound promising - "Tomorrow's woman", "Pregnancy", "Love", "Loss, grief, and thunder". So, here are some extracts: all sentences -

  • she has loved all the women she has heard/ in a throat hood/ behind an eye inhaling rain. (p.3)
  • Hands like stolen trees/ stuck up in the fog,/ a library card to Jerusalem/ only human in waves// a courtyard of scarlet fire/ closed so far down into itself. (p.4)
  • Our child hasn't learnt his knees/ or the broken dreams of the Internet.// There is only our unprescripted love,/ not even a word yet/ but for you it's Modernism. (p.7)
  • The sea birds come to show their support/ spiring pendulums, dead and still alive -/ small airports of gathered whale processions/ and invisible life// living namesake threats. (p.10)
  • Hair of a horse/ over a faded clock,// modern hair like rainfall/ hunched blackbird dampness// sun beast isles/ burning in its nest. (p.19)
  • The bed remains ancient in its ritual of worship/ a personal attack against strangers/ made up of all its own Trojan wars/ hung in literature, undebated. (p.22)
  • The Internet is full of eagles, they cry out from all the/ isolated fullness, pushing like bread// they remind you of a storybook. (p.30)
  • Viagra water flickering through morning tea/ tribes of water burning the air,/ and white heat that is a renamed cover version of water. (p.34)
  • Before there was anything/ there were the stars touching time with hope,// before there was anything/ love was still blind in the darkness,// all of wonder above you,/ where you put it, up high. (p.48)
  • Shaking the locking organed funfairs// the daytime observes its place to the sun,/ bewitched by the size of the hills (p.57)
  • We have become old dreams/ lying on hourglass traps/ boarded up like embarrassed commitments (p.76)
  • We assure ourselves 7:59, O'children/ lifting up our children,/ embarrassed angels. (p.77)
  • There is no allotment for this blue rehearsal// we have replaced our faces like old caretakers,/ overwinged by the thought of secret exits// bluer than the untangle of a ballroom. (p.86)
  • The night continues to note down the morning dawn// it breaks slowly, gentle like a smile/ ragged with hand-peddles from a mountain seascape. (p.89)

"Phosphorescent" is my favourite.

Saturday, 18 July 2026

"It was you" by Jo Platt

An audio book.

The blurb mentioned a Book Group and a woman opening herself up to new possibilities, so I started reading, but I got 25% through without feeling that it was going anywhere. So DNF.

Other reviews

Friday, 17 July 2026

"The bean trees" by Barbara Kingsolver (Virago, 1989)

The main character Marietta (first-person - a girl living in the states) doesn't know who her father is. After 5 years working part-time in a medical lab she buys a cheap VW and leaves home, renaming herself Taylor Greer. On the way, in a bar, she's given a Cherokee pre-toddler. She calls her Turtle. She finds a hotel in Broken Arrow to stay in for a while, paying her way. Then she drives to Tucson, gets punctures, finds "Jesus Is Lord Used Tires" run by Mattie. Upstairs is a sanctuary for Guatamalan and Salvadoran refugees.

Lou Ann Ruiz (third person) is giving birth in 2 months. She's into horoscopes and signs. Ivy's her mother and her grandmother's close. Her husband Angel, an ex-rodeo, who lost half a leg in an accident, has left her. After the birth of Dwayne Ray she advertises a room. Taylor applies and moves in.

Turtle's first word is "bean" (it looks like what it will grow into) and she soon learns the words for other vegetables. Taylor's mother phones to say she's remarrying. Lou Ann gets a factory job. Angel wants her to go to live with him. Mattie is interviewed on TV about the sanctuary. Taylor becomes friends with 2 refugees who live with Mattie - Estevan (an ex-teacher of English; she rather loves him) and Esperanza (who wants children). They speak to each other in Spanish because they know different Mayan languages. Esperanza tries to overdose on aspirin. Taylor learns that their daughter was taken from them because they didn't reveal names of union members. Taylor says "Sometimes I feel like I'm a foreigner too. I come from a place that's so different from here you would think you'd stepped right off the map into some other country where they use dirst for decoration and the national pastime is having babies ... Half the time I have no idea what's going on around me here".

When Turtle is X-rayed the doctor says she has old compound fractures. Social services say Taylor has no claim on Turtle. She decides to try to find Turtle's relatives so she can get them to sign something. She offers to take Estevan and Esperanza - they're in danger of being deported. They set off early and are stopped. The couple say that Turtle's their daughter. They find the original bar but the owner etc has changed. They rent a lakeside cottage for the night. Turtle twice says "Mamma" where humans are buried. Was her mother buried? Does she think humans grow like beans? Estevan and Esperanza can easily merge into Cherokee Nation. We're led to believe that Taylor will leave Turtle with them (thinking Turtle would have a better life that way) but in the end they pretend to be Turtle's parents and sign adoption papers. Taylor phones her now-married mother for the first time in months. Then she has almost a conversation with Turtle, about the people back home. They pause in a library where Taylor identifies what Turtle calls a bean tree as wisteria. It came from the Orient. It thrives in poor soil thanks to rhizobia - bugs that help the plants. She phones Lou Ann, who isn't going to join Angel - she asked advice from his mother. She's found a boyfriend of African descent.

Chapters have titles which are the odd-page headers. There's an avalanche of happy news at the end - I guess the characters deserve it. Some symbolic loose ends are tidily tied up too. Themes include motherhood, language, finding a home, friends vs family. The prose is fast-moving, the style flexible -

  • The clouds were pink and fat and hilarious-looking, like the hippo ballerinas in a Disney movie
  • I began to suspect that sharing harmonious space with an insightful Virgo might require even greater credentials than being a licensed phlebotomist in the state of Arizona
  • she was looking at me the way you do when you first notice someone is deformed. In sixth grade we had a new teacher for three weeks before we realized his left hand was missing. He always kept his hanky over it. We'd just thought it was allergies
  • White rocks sloped up out of the water like giant, friendly hippo butts
  • the city was like a palm stretched out for a fortuneteller to read, with its mounds and hillocks, its life lines and heart lines of dry stream beds
  • Cynthia was concerned about Turtle's tendency to bury the dollies, believing that it indicated a fixation with death, but I assured her that Turtle was only trying to grow dolly trees

I like it.

Other reviews

  • Annie sauveur (I see its faults. A book about a white woman making a lot of half-hearted commentary on POC issues. ... it’s weird that she didn’t call the police—especially when she discovers that Turtle had been sexually abused. It’s a little strange that she just adopts Turtle and that’s the end of it. But I think that is who Taylor is. She is very straightforward, steadfast, and headstrong. Blunt, to a fault. ... In some scenes, she blends into the background, she asks and answers in ways that fit the other characters a little too well. ... The writing is magic.)
  • Winona media (This novel is about great damage and great healing. From a rich mix colloquial language, off-beat characters, and an imaginative plot, a central theme of hope in the face of justified despair is skillfully developed.)