Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.
Showing posts with label Ian Rankin. Show all posts
Showing posts with label Ian Rankin. Show all posts

Wednesday, 5 October 2022

"A good hanging and other stories" by Ian Rankin

Rebus stories. Compared to novels, short stories offer fewer places to conceal the clues. Rankin uses humour to distract attention.

  • Playback - A jilted lover tries to frame a murder on his replacement by playing around with recorded phone messages.
  • The Dean Curse - A (retired?) Brigadeer's car is blown up while he got out to buy a bottle. It turns out that his daughter was going out with an unsuitable man - a car stealer - so the brigadeer (secret service? Ex Northern Ireland?) had faked an attempt on his own life, having employed the car stealer. The brigadeer's bodyguard says that Rebus had no evidence and that he'd deal with it - there was a history of mental problems. The brigadeer disappears.
  • Being Frank - Frank, a tramp, is one of the Rebus's informers. He's a conspiracy theorist, but this time (plus or minus mishearings) he alerts the detective to a con-man who tries to trick Rebus.
  • Concrete Evidence - A body discovered under a floor laid decades before might be the ex-partner of the now-rich builder who put the floor down. Rebus works out how the story of the builder's disappearance (a boat accident, body never found) could have been fabricated. Enough documentary evidence is found to make a successful case, a rival builder helping.
  • Seeing Things - Schoolgirls had seen a bloody man by a tree who suddenly disappeared, leaving a stain that wouldn't go away. A miracle? Cults assemble. There's 24 hour protection of the tree. A dead body is later found.
  • A Good Hanging - A fringe actor is found hung on gallows that were a stage prop. He'd been engaged to Mari, a member of the cast. He'd died in a fight with a rival who had tried to make it look like suicide, but the temptation to add literary allusion to the deception gave the murderer away
  • Tit for Tat - We learn about tenament life. There's been an arson attack on a man s in, justing passing by. Rebus had killed a criminal by accident on Friday. Rebus is ok, though he wonders whether he could have avoided the death.
  • Auld Land Syne - rebus is in Edinburgh city centre on New Year's Eve because there's a tip that there'll be a drug deal. He meets a criminal there who's been let out of prison early - he'd had a religious conversion. Later that night the ex-con kills the drug-dealer - the dealer who'd supplied the ex-con's son with the drugs he overdosed with.
  • The Gentleman's Club - A schoolgirl suicides in her bath. Rebus deduces that her best friend was having an affair with her father and that the girl had ultimatumed her father to confess and desist.
  • Monstrous Trumpet - While Rebus is hosting a French detective, he investigates the stealing of an item from the opening of a radical feminist art exhibition. The stolen statue is a combination of pieces from various models, including partners of woman who were at the opening.

A mouth "visibly" dropped open at one point, but otherwise I though the writing and stories good enough.

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Saturday, 18 August 2012

"Black and Blue" by Ian Rankin (Orion, 1997)

I've not read him before, but I'm interested in Edinburgh. Here's a sample paragraph - "It was getting light when Rebus finally arrived home. He turned the hi-fi on so that it was just audible, then rinsed a glass in the kitchen and poured an inch of Laphroaig, adding a dribble of water from the tap. Some malts demanded water. He sat down at the kitchen table and looked at the newspapers laid out there, cuttings from the Johnny Bible case, photographs of old Bible John stuff. He'd spent a day in the National Library, fast-tracking the years 1968-70, winding a blur of microfilm through the machine. Stories and leapt out at him. Rosyth was to lose its Royal Navy Commander; plans were announced for a £50 million petrochemical complex at Invergordon, Camelot was showing at the ABC", p.24.

A past serial murderer-rapist case, unsolved for 25 years, involved Bible John. Now another serial murderer-rapist is in action, nicknamed Johnny Bible. Detective Inspector Rebus would like to catch him.

Side-plots are set up. Rebus agrees to act as an alibi for a colleague, Brian Holmes, accused of beating someone up, though he realises, having visited the accuser, that the colleague was probably guilty. Meanwhile he's investigating the murder/suicide of Allan Mitchison, a pretext that takes him to Glasgow and to Aberdeen at a convenient time.

The Spaven case is hinted at early in the book. We're told the details at about p.40 - Spaven had been imprisoned for murder. He claimed until his death (suicide?) that he'd been framed by Rebus's ex-boss, Geddes. Spaven had become a successful autobiographer, and Geddes had taken early retirement. Later in the book Geddes kills himself. The TV and police are re-opening the case and Rebus is being investigated.

So there's more than one case to solve. Bible John is a point-of-view presence early on (p.52). At p.192 we realise who he is, but that doesn't release the tension. He is on the trail of Johnny Bible too. On p.395 Siobhan says "It might sound crazy, but maybe Bible John's out there looking for his offspring" which sounds to me an unlikely hunch, but I was rushed along by the plot and characterisation.

The book has the same type of morally mixed characters as the Sciascia and John le Carré novels I've read. Rebus doesn't know who's on his side, and he bends the rules. Internal politics and turf-wars may explain why he feels he's being framed. At times he empathizes with criminals. He ruffles feathers. He drinks. He wins through in the end.

Eyes are useful to writers, a way to express a character's internal state without flipping into their point-of-view - "Rebus found her eyes, and seen something there. Not just bewilderment or grief./ Something more like fear. And behind it, a degree of calculation" (p.218)

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