Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.
Showing posts with label 'Bristol Short Story Prize Anthology 3'. Show all posts
Showing posts with label 'Bristol Short Story Prize Anthology 3'. Show all posts

Sunday, 16 January 2011

"Bristol Short Story Prize Anthology 3", (2010)

This contains the 20 short-listed pieces from the competition. About a third of the authors have CW degrees. Another third are experienced albeit unqualified writers. 14 of the 20 authors are female. The competition caused a stir because a c.300 word story won a 3000 word max competition. It's a good story. Dead women (I counted 5, including all the prize-winners), loopy/damaged women (at least 6), a murder or 2, radiation sickness and dystopian fantasies comprise this collection - not a feel-good piece in sight. They're mostly character-centric with short story-time durations.

That's not to say that the pieces are bad - they're not at all - but one does wonder about the state of the UK short story, or the mental state of writers, or whether some of the judges have been going through a bad time just lately.

Joanna Campbell's "Struthio Camelus" has a petering end but deserved to be in the top 3 if "Only the Sure of Foot" did. Darci Bysout's "Marrakech" deserved better too. I was impressed by the craft of "Signs of our redemption". I don't know whether Ben Walker's "Bitter Gourd Fruit" has enough shape to be described as a story, but it doesn't run out of puff. I think it's my favorite piece.

Inevitably there were stories that didn't grab me - "Man Friday ..." (too sub-Beckettian), "An Experiment", "rZr and Napoleon", "Ten plastic Roses" (though it contained "I felt like a traveller who has got to the horizon on faith, only to discover that there really is a line beyond which lies the void"), "Only the Sure of Foot". I'm often unsure about stories that depend heavily on their punchline. At least 2 stories in this book did, and they worked. Spoiler Warning!

  • "A Sense of Humour"'s end arrives just as one's about to guess it - well timed.
  • "Born not Made" laid it on heavy at the start - cider-drinking mothers, night-dresses over tracksuits, high-rise flats, petty crime - and lead to a heavy-handed Billy Elliot plot. All that was a distraction so that the punch-line would work.

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