Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.
Showing posts with label 'A straightforward guide to writing romantic fiction'. Show all posts
Showing posts with label 'A straightforward guide to writing romantic fiction'. Show all posts

Saturday, 13 December 2025

"A straightforward guide to writing romantic fiction" by Kate Walker (Straightforward publishing, 2002)

  • Unlike other genres whose popularity fluctuates up and down, the popularity of romances stays consistently high (p.9)
  • As the majority of readers of romantic fiction are women, the character of the heroine is central to their enjoyment of the novel (p.17)
  • Readers can't identify with your heroine unless they have a very clear idea of what she looks like (p.19)
  • If the heroine is the reader's guide into the story, the 'eyes' through which the action is seen, the hero is the character most likely to be remembered (p.25)
  • In some senses, a hero is always a mystery to the heroine (p.28)
  • In fiction there can be a very narrow line between being a gentle man and being a wimp (p.29)
  • at times, the hero must play the role of both the hero and the villian (p.30)
  • The run-up to the final pages are often described as the 'But you said ...' section (p.65)
  • the present story always affects the reader much more than the past (p.120)
  • A book should try to be at least 60% dialogue no more than 40% narrative (p.123)

Many typos - see the final quote above, for example. And there are many extra spaces near apostrophes.