Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.
Showing posts with label Adele Geras. Show all posts
Showing posts with label Adele Geras. Show all posts

Saturday, 17 February 2024

"Voices from the dolls' house" by Adele Geras (Rockingham, 1994)

It feels rather old fashioned - I feel I understand what's going on. There's some rhyme - a sonnet and a sestina too. The rhyming's tight, but the line-breaks seem flappy. On p.26

She has arranged
around the wicker chair where she will sit
a parasol
a shawl
a vase of flowers:
props appropriate
for delicate thoughts
and baisers du printemps.

there's a colon but no commas, and I don't see why the last 3 lines shouldn't be a single long one, like the 2nd line. Other poems have more line-breaks than I think they need - "A letter from Helen of Troy" could have been laid out as a letter rather than a poem with many short lines, and nowadays I think "Care instructions for a 'Desirée' mirror" would be Flash.

"Four voices" is ambitious.

There's lots of lace and light, and several poems about painting and photography - not just ekphrasis but the nature of posing, etc.

Poems often don't begin on new pages. "I don't lilke printed patterns..being told" on p.21 looks like 2 typos.

p.44 has "the metal/ of interlocking snakes and leaves/ and loops that start here, and end/ nowhere". p.47 has "with patterns/ of interlocking stems and leaves and curves/ that start here and end nowhere". I wonder if the repetition is deliberate.