Literary reviews by Tim Love.
Warning: Rather than reviews, these are often notes in preparation for reviews that were never finished, or pleas for help with understanding pieces. See Litref Reviews - a rationale for details.
Showing posts with label Louise Welsh. Show all posts
Showing posts with label Louise Welsh. Show all posts

Saturday, 7 March 2026

"To the Dogs" by Louise Welsh

An audio book.

Glasgow 2017. Jim, a professor (criminology) returns from a trip to Beijing to find that his son Eliot (23) has been caught dealing with drugs again. Maggie, his wife, (an architect) thought Eliot had sorted himself out. They have a daughter Sasha (11) too. Eddie Cranston, a lawyer who was at school with Jim, tries and succeeds (against Jim's wishes - he has shady contacts) to get the job of defending Eliot. Eliot breaks bail conditions and is imprisoned (in the same prison where Jim's father had been).

Cranston's girlfriend Becky was a student of Jim until 2 years before. Her (god?) father was a criminal. Jim gets email saying that Lejur, a Chinese student he'd talked to on his trip, has disappeared. One of Jim's PhD students kills himself (maybe because Jim neglected to send a reference about him). Jim becomes a candidate for the university headship. A new learning hub is being planned. A builder befriends him. In prison, Eliot (who owes money to suppliers) is attacked, nearly killed. The builder had offered to protect him. Cranston has money problems. Jim (without telling Maggie) pays Eliot's debts. He's sent photos showing paying the debt and photos of his wife with a builder. Saudi royalty offer the university a big donation. A colleague, Ron Ferguson, loudly protests. He deals with a student protest against the Saudi offer - "blood money".

Jim contacts a Chinese dissident trying to help Lejur. He gets a phone call from someone offering to get Lejur freed in return for a student being given a first Sasha is threatened, so he meets a blackmailer and gives him info helpful to a builder making a bid. The blackmailer knew Jim's dad. His son is the builder, Peter Hendeson, who Jim met earlier. Ron Ferguson sees the 2 of them together. There's a tussle. Ron falls and dies.

A year later, the new buildings, including the Ferguson Lecture Theatre, are about to open. Saudi money's involved.

I liked 'The Cutting Room'. However, this novel left me cold. The moral dilemmas were presented clearly and I soon suspected how Jim would deal with them. Jim's ancestry is used as the explanation of his more surprising behaviour and reactions. Maggie and Jim's reaction to Eddie's behaviour and near-death experience is explained by their unconditional love.

Other reviews

  • David Robinson (Jim Brennan is, we are told, not only the son of a violent criminal but has a professorship in criminology. If having a vice-principal as your main protagonist in a crime novel is already stretching credibility, those two things stretch it even further. My own guess is that Welsh knows this, which is why she fleshes out Jim’s own back story so well)
  • Susan Osborne (Her cleverly plotted novel neatly contrasts straightforward crime with the dubious morality of accepting funding from repressive regimes)
  • schatjesshelves (The one thing that bothered me is Jim’s lack of understanding of criminals. Despite his upbringing and his degrees in criminology, he seems constantly surprised by their behaviour. The addition of subplots is problematic. The result is a narrative that becomes disjointed and bogged down. ... The plot becomes increasingly convoluted and I found myself becoming annoyed with the constant piling on of Jim’s problems; it felt like they were added just to confuse. The stereotypical characterization of gangsters does not impress. And then the ending seems rushed and leaves unanswered questions.)

Wednesday, 8 May 2024

"The Cutting Room" by Louise Welsh

An audio book.

The ever-present first-person narrator, Rilke, 43, works for an auction house in Glasgow. At the start he's agreeing to clear a big house in a week for an old sister whose brother has died. He finds an extensive, valuable porn book collection. He also finds old photos, some of them snuff photos. Are they rigged? He has various contacts who he asks. He's gay, cruises, and knows cross-dressers, porn traders, drug-traders etc. He also knows about the legitimate art market. He's friends with a leading policeman who's secretly gay. We learn about the tricks of the auctioneer's trade. There is a plot and a final surprise, but it's Rilke's voice which carries the novel. I liked it.

Other reviews

  • Paul Magrs (We get a lovingly detailed and grimy catalogue of impedimenta. The book is full of stuff: erotic ivory netsukes hidden in jacket pockets; worn stone steps in tenement buildings; shirts with armpit stains like weak tea. It is this kind of concreteness and eye for detail that makes The Cutting Room a literary novel - pulling us closer to life than most generic efforts. It's less successful when it gets self-consciously literary and chimes off Girodias or Foucault, or presents its tombstone chapter epigraphs to lend some clout.)
  • Linda Wilson