Poems from Iowa Review, Northwest Review, Shearsman, etc
It's all in triplets, salimi-sliced, working with a restricted palette of words. Here are the page.line locations of some phrases -
- the way - 1.3, 2.2, 3.4, 4.4, 6.2, 7.2, 8.4, 10.6, 11.2, 12.2, 13.5, 14.10, 15.1, 16.3, 17.8, 18.13, 20.4, 21.4, 22.8
- as if - 1.1, 3.17, 4.1, 6.10, 7.1, 8.8, 10.2, 16.15, 17.11, 21.2, 23.12
- though - 3.3, 4.11, 5.3, 6.6, 7.7, 8.14, 10.13, 11.4, 12.1, 12.17, 13.9, 14.1, 14.4, 15.4, 17.14, 21.8, 22.1, 23.4, 24.8
I could almost believe that the lines were randomly dealt out between the poems. Here are some samples -
though what rises from the ground
is lifeless, sets out on the weaker side
as shadow, a shell kept empty for calm
for leaf by blinding leaf and this smoke
half there, half anchored against the rake
left to rust, no longer struggling (p.7)Each with a fence the darkness
never heals, comes and goes
the way each star circles this gate
reclaims the Earth with a chain
half one by one, half
where all the dead clasp hands (p.16)it's your usual match, half wood
half some mountainside
breathing again and rock by rock
rescued by the simple flame
that looms over you as smoke
broken open for rain and falling back (p.19)
Dear Tim
ReplyDeleteIn my experience, poets called Simon tend to be pretty good. There's Simon Armitage, Simon Barraclough and several others.
Best wishes from Simon R Gladdish