Magazines mentioned include Manchester Review, Poetry Review, PN Review, Magma, Granta, Oxford Poetry, Under the Radar, Poetry London, Rialto, Bad Lilies.
Here's the start of a poem I'd reject because of its obscure spaces, slashes and use of capitals. They make me suspicious.
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It's Saturday most often neighbor we Are walking with our daughter lately even when/ We walk together everywhere we go we want to go home everywhere / But oh hey did you see that story |
and the poem with this typical stanza bring out my "Call My Bluff" mode -
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this being the Congo being than necrosis other than turbulent axioms as embittered solar force |
Neither "Dog on a British Airways Airbus 319-100" or "Imperium Abcedarian" work for me. "All of the pans in the kitchen" and "When I was a child..." is like some Flash Fiction I read. I don't think they would be in best-of-year flash anthologies.
One trend is the use of the same word in most lines of a poem.
- "Red data list of threatened british fungi: mainly smuts" - 29 lines. "smut" is used 31 times
- "Holy Water" - 14 lines. "The river is/will/has" is used 13 times
- "We are trying to make sense" - 14 lines. "feel[ing] is used 13 times, along with "fooling" 3 times, etc
It's very much poetry for poets. Obscure layouts and disjunctive content. Little narrative.
Parts of "Up late", "extract from H of H Playbook", and "Hyena Q & A" are ok. Maybe "Boy Sells Gum at Qalandiyah" and "CrashSite" are my favourite pieces. "Monster Tinder" is fun, but surely minor.
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